FMP: 1984 Poster development

Now I knew I wanted to create a glow in the dark poster so I decided to work with the quote “War is Peace, Freedom is Slavery, Ignorance is Strength” I wanted the poster to simply show the words peace freedom and strength as the original image and then the glow in the dark text would read War Slavery Ignorance.

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FMP: Day of the Triffids material tests

When thinking about what to do to make my posters unique in some way I thought about what it was about carnivorous plants that was interesting other than the shapes and patterns that they have. I realised that they all dissolve their prey once it is caught and I began thinking about how I could use this in the creation of my typographic poster. Continue reading FMP: Day of the Triffids material tests

Studio Futures Past: Project 1 Activism, Laser cutting workshop.

Our latest workshop at Futures Past has been in the laser cutting and wood work studios in the bottom floor of the university. For this workshop we took our designed into Adobe illustrator then had them laser cut into our own materials. Continue reading Studio Futures Past: Project 1 Activism, Laser cutting workshop.

Studio Futures Past: Project 1 Activism, Letter press workshop.

Today Futures Past studio had a chance to use the letter press facilities at london met to try and experiment with our chosen slogans and phrases relating to our activist and protest research. Continue reading Studio Futures Past: Project 1 Activism, Letter press workshop.

Impression Studio: Project 4, Riso Show first tests on Riso Printer

Studio members have been given extra access to the univeristy Riso Printer in preperation for creating the summer show catalogue. Studio members were asked to create some test images for the riso printer to see what could work and to get a better idea of how the colours blend. Continue reading Impression Studio: Project 4, Riso Show first tests on Riso Printer

Impresion Studio: Project 4, Riso Show Looking at sign layout

I took a moment to think about how the sign for the inventivity studio could be layed out I liked the idea of it being something that required some thought when assembling it like a simple puzzle.

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Impression Studio: Project 4, Riso Show Initial ideas for typography and patterns

After looking at inventivity studio I decided to use the shape of the studio as a way of manipulating type for their sign. I started out by making some rough sketches of how the shape could effect letters in different ways.

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Impression Studio: Anthology Project, Researching and Testing Distorted Typography 2

I also looked into the artist and typographer Gemma Obrien who makes alot of large scale typographic pieces with swirling patterns around and within the letter forms in a way that appears to form them.

Work by Gemma Obrien

I really like her work and wanted to try and create some pattern like hers but couldn’t really see how they could be used in my work.

At this point in the project each studio member was able to have an individual crit with our tutors who recommended looking at art from the psychedelic movement of the 60/70’s era. I looked into a few different artists including Rick Griffin, Victor Moscoso and Wes Wilson who’s work also ended up being very influential on my final design.

Work by Rick Griffin

Work by Victor Moscoso

Work by Wes Wilson

Impression Studio: Anthology Project, Researching and Testing Distorted Typography 1

At this point of my research I started looking at makers of distorted typography I found the work in the zine Chicago by Sofia Clausse very interesting.

Work by Sofia Clausse

After looking at her work Sofia had come to give a hothouse talk at the university so I asked her about how she achieved this effect here and she told me it was by moving a page of text around as it was scanned by a photocopier so i decided I would give this a try.

Unfortunately my experiments with the photocopier were unsuccessful as you can see the effect I achieved in the copier was not much like Sofias and didn’t have as strong distortion so I decided to begin looking at other methods.

I looked abit into large scale typographic pieces and found 2 interesting images. The first is a large exhibition installation that I thought was a create example of how distorted type can be displayed in an interesting way and the second is of a poster I assume is A1 size that looked as if it was made with brush and ink.

After looking at these I made some sketches to see how my response could span over multiple pages with the idea is could be a very impressive exhibition piece but I decided against it due to the printed outcomes being required to come in editions of 5 I didn’t think something like that would be possible in the form of editions.

14 spanning pages.jpg