Impression Studio: Project 4, Riso Show Spot Colour Ideas

Aswell as creating signage in the catalogue I have also been asked to come up with spot colour ideas for pages introducing the studios and projects. I started by using some mock ups billy made with lorem ipsum.

I tried making interesting spot colour designs just using 2 colours as with the final catalogue will be in only 2 colours.

Continue reading Impression Studio: Project 4, Riso Show Spot Colour Ideas

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Impression Studio: Project 4, Riso Show Animation Signage Initial Ideas

When I was asked to create signage for the animation department instead of the inventivity studio I was abit releaved as I felt like I got a bit more freedom with how I could produce a design that actually corresponded well with the subject. Continue reading Impression Studio: Project 4, Riso Show Animation Signage Initial Ideas

Impression Studio: Project 4, Riso Show first tests on Riso Printer

Studio members have been given extra access to the univeristy Riso Printer in preperation for creating the summer show catalogue. Studio members were asked to create some test images for the riso printer to see what could work and to get a better idea of how the colours blend. Continue reading Impression Studio: Project 4, Riso Show first tests on Riso Printer

Impresion Studio: Project 4, Riso Show Looking at sign layout

I took a moment to think about how the sign for the inventivity studio could be layed out I liked the idea of it being something that required some thought when assembling it like a simple puzzle.

Continue reading Impresion Studio: Project 4, Riso Show Looking at sign layout

CIP: Collection Project Book Cover (workshop further development)

When creating my cover I already had it in mind to continue with the the colour theme of white, grey and black so while keeping this in mind I looked at some different book covers in the library that I liked. Continue reading CIP: Collection Project Book Cover (workshop further development)

Impression Studio: Anthology Project, Researching and Testing Distorted Typography 2

I also looked into the artist and typographer Gemma Obrien who makes alot of large scale typographic pieces with swirling patterns around and within the letter forms in a way that appears to form them.

Work by Gemma Obrien

I really like her work and wanted to try and create some pattern like hers but couldn’t really see how they could be used in my work.

At this point in the project each studio member was able to have an individual crit with our tutors who recommended looking at art from the psychedelic movement of the 60/70’s era. I looked into a few different artists including Rick Griffin, Victor Moscoso and Wes Wilson who’s work also ended up being very influential on my final design.

Work by Rick Griffin

Work by Victor Moscoso

Work by Wes Wilson

Impression Studio: Anthology Project, Researching and Testing Distorted Typography 1

At this point of my research I started looking at makers of distorted typography I found the work in the zine Chicago by Sofia Clausse very interesting.

Work by Sofia Clausse

After looking at her work Sofia had come to give a hothouse talk at the university so I asked her about how she achieved this effect here and she told me it was by moving a page of text around as it was scanned by a photocopier so i decided I would give this a try.

Unfortunately my experiments with the photocopier were unsuccessful as you can see the effect I achieved in the copier was not much like Sofias and didn’t have as strong distortion so I decided to begin looking at other methods.

I looked abit into large scale typographic pieces and found 2 interesting images. The first is a large exhibition installation that I thought was a create example of how distorted type can be displayed in an interesting way and the second is of a poster I assume is A1 size that looked as if it was made with brush and ink.

After looking at these I made some sketches to see how my response could span over multiple pages with the idea is could be a very impressive exhibition piece but I decided against it due to the printed outcomes being required to come in editions of 5 I didn’t think something like that would be possible in the form of editions.

14 spanning pages.jpg

Impression Studio: Anthology Project, Overlapping multi-colour text

After screen printing made some rough drawings of how words could be overlapped in different colours but I decided to stay with the anaglyph idea as it would be much easier to print only 2 colours rather than multiple colours.

5 felt tip6 felt tip7 felt tip

Impression Studio Anthology Project, Looking at paper

Before I thought about how I could print my edition I looked at possibly print onto blotting paper (usually used for LSD) and also perforated a sheet of paper in the same way as an acid sheet. I also had a look at possibly having a hidden phrase when paper is folded correctly but I decided this idea was to complex and may not be possible in the time frame.

4 pper folding.jpg

After doing this however it seemed that the paper was quite fragile and the process of the perforation was quite inaccurate so it doesn’t seem like this would be a good idea.

Creative Industry Practice: Collection Project, Cover and Collage workshop

In another one of our CIP workshops we started looking into different ways to create an illustrated book cover we started off by creating some patterns on a3 paper. Continue reading Creative Industry Practice: Collection Project, Cover and Collage workshop